论文代写：博物馆和社区参与
博物馆是历史、社会和文化符号在当代社会。然而这种观点很窄,因为它约束的功利主义价值博物馆(黑色,2005)。他们不仅仅是符号和情感依恋的人。芒罗(2014)指出,游客与博物馆的互动讨论的形式在展览、展示和聊天将有助于情感的地方。也有情感之间创建博物馆的收藏和人民(Munro,2014)。这些天博物馆开发过程也意识到了这一点。博物馆开发过程这些天记住,博物馆不仅是仓库遗迹和文物,但博物馆本身作为一种教育工具(邓普顿,2011)。
论文代写：博物馆和社区参与
观众参与博物馆发展和关注涉及社区投入增长的室内装饰品。博物馆吸引游客是主要任务(Waltl,2006),和做这个博物馆越来越成为地方没有墙壁戴维斯(2013)。社区参与可以创建只有在博物馆的收藏和画廊主要参与社区建设。本文批判性评论博物馆是如何接触受众参与社会为了创建策略,满足多样化的社区/观众需求。
论文代写：博物馆和社区参与
Museums are historical, social and cultural symbols for contemporary society. However this view is quite narrow as it constraints the utilitarian value of the museum (Black, 2005). They are more than just symbols and are emotional attachments for the people. Munro (2014) states that visitor interactions with the museum in the form of discussions around the exhibitions, the displays and the chat places will contribute to emotions. Also there are emotions created between the museum collections and the people (Munro, 2014). The Museum development processes these days are also aware of it. Museum development process these days keep in mind that museums are not just warehouses for relics and artefacts, but that the museum itself will serve as an educational tool (Templeton, 2011).
论文代写：博物馆和社区参与
Audience engagement by museum development and by focusing on interior decorations that involve community inputs has been growing. Attracting museum visitors are a main priority (Waltl, 2006), and to do this museums are increasingly becoming places without walls as Davies (2013) puts it. Community engagement can be created only by primarily engaging the community in museum collection and gallery constructions. This essay critically reviews how museums are reaching out to the society in order to create audience engagement strategies that meet diverse community/audience requirements.