作业代写:绘画的视觉分析

16 5月 作业代写:绘画的视觉分析

作业代写:绘画的视觉分析

本文旨在对两幅名画进行比较。第一个是施洗的圣约翰作见证,第二个是普新,他是瞎眼的参孙,正在找日出。前者是意大利文艺复兴时期著名画家米开朗基罗的作品。据文艺复兴时期的一些艺术专家说,米开朗基罗的原作;这幅画出自弗朗切斯科·格拉纳奇之手。这幅画展示的是施洗约翰在向他的学生讲道。施洗约翰比耶稣先来,耶稣的门徒中有几个是约翰的门徒。第二幅画是法国艺术家尼古拉斯·普辛创作的失明的猎户座。在这幅画里,猎户座正在寻找冉冉升起的太阳,而他背上的一个人影正在指引他走向太阳。他正在寻找太阳来治愈他的失明。易将探索两幅画的不同方面,提供自己的视觉分析和比较。

绘画的视觉分析

圣约翰浸信会教徒的见证是一幅描绘约翰和耶稣之间联系的画作。他们之间的联系已经有很好的记录,可以在福音书中读到。米开朗基罗的这幅画出自弗朗切斯科·格拉纳奇之手。曾任大都会艺术博物馆欧洲绘画系主任的埃弗里特·费希(Everett Fahy)表示,这幅作品属于文艺复兴时期的天才之作。所发现的证据表明这幅画是米开朗基罗于1506年创作的。

这幅画是用油、蛋彩画和金在木头上画的。这幅画包含了岩石景观中的许多人物,一些门徒和其他施洗约翰和耶稣(德鲁里,78)。专家们还断言,绘画比格拉纳奇的其他作品要好得多。从画的底图可以看出,帷幔下人物的体积和结构也得到了描述。阴影显示的区域是通过孵化显示的(Laing, 154)。这种孵化是圆屋顶与不同的画笔笔触从非常细到宽。这幅画大胆地勾勒出阴影,通过减少笔画来表现面部特征,通过书法处理来展示窗帘的褶皱,使这幅作品与众不同(Britton, 159)。

作业代写:绘画的视觉分析

The essay aims to provide the comparison of two famous paintings. The first is the St. John the Baptist Bearing Witness and the second is Poussin: Blind Orion Searching for the Rising Sun. The former is made by the famous Italian renaissance painter Michelangelo. According to some experts of Renaissance art have stated that originally made by Michelangelo; this painting is attributed to Francesco Granacci. This painting displays John the Baptist, who is preaching his pupils. John the Baptist came before Jesus, and some of the followers of Jesus were earlier the disciples of John. The second painting is of Blind Orion made by a French artist Nicolas Poussin. In the painting Orion is searching for the rising sun and a figure on his back is showing him the way towards sun. He is searching for the sun to get healed from his blindness. The easy will explore different aspects of both the painting to provide their visual analysis and comparison.

Visual Analysis of Paintings

Saint John the Baptists bearing witnesses is the painting that revels the connection between John and Jesus. Their connections have been well documented and can be read in the gospels. The painting made by Michelangelo is attributed by Francesco Granacci. Everett Fahy, who was the former head of the European Paintings department of the Metropolitan, has stated that this work belongs to the genius of Renaissance. The evidences which have been found suggest that this painting was made by Michelangelo in the year 1506.

The painting is made with oil, tempera and gold on wood. The painting includes many figures, some of the disciples and other of John Baptist and Jesus in the rocky landscape (Drury, 78). The experts have also asserted that painting is much more superior then the other works of Granacci. The underdrawings of the paintings have shown that volume and structure of the figures under the draperies are also described. The areas where the shadows are shown are indicated through hatching (Laing, 154). This kind of hatching is dome with different brush strokes from very fine to broad brushes. The shadows being boldly hatched in the painting, indication of facial features through reduced strokes and demonstrating the folds of drapes through calligraphic handling makes this work extraordinary (Britton, 159).