美国代写：波洛克的白光绘画处理。白光是波洛克最后创作的画作之一，部分白光是由管状颜料直接在画布上挤压而成，形成顶层雕塑般的黑白卷须笔刷被用来创造一种微妙的大理石效果，这是通过适当的操作实现的。滴水画的创作灵感来源于纳瓦霍沙画，它描绘了艺术家的情感和感受，没有主题的限制。波洛克的艺术作品注重线条和形状;使用很少的新工具和中等波洛克创造了阴影和混乱的特殊效果(“杰克逊波洛克:100幅著名绘画分析和传记”)。与其他古典艺术家不同的是，波洛克使用了搪瓷、室内油漆工的颜料和铝。就连这幅画也是用地刷、刀和木棍完成的，而不是用画架和刷子。独特的工具选择有助于强调绘画的纹理，以表达一种不同的感觉。接下来美国代写专家将为同学们分享下论文范文-波洛克的白光绘画处理。
与其他古典艺术家不同的是，波洛克使用了搪瓷、室内油漆工的颜料和铝。就连这幅画也是用地刷、刀和木棍完成的，而不是用画架和刷子。独特的工具选择有助于强调绘画的纹理，以表达一种不同的感觉。波洛克在颜料中混合了草、木材和沙子，以延伸出原始的浮雕纹理。
这幅画包括在背景中可见的不同颜色的独特混合的白色条纹和划痕。因此，这种效果模仿了白光的运动。尽管它被描述为一幅画，但艺术评论家普遍认为，由于它被描绘的方式，它更像是一件雕塑(布坎南11)。画家用铝颜料、不同的油彩管和珐琅把同样的颜料直接挤在画布上。当颜料变硬时，管子的使用产生了雕塑效果。
白光消除了对可识别物体的可能参考。这些线条有着各种纹理的漩涡和宽度，底层的黄色与橙色混合，黑色和白色纵横交错(Gervais 77)。白色占据主导地位，从而强化了光贯穿始终的事实。波洛克有修剪整幅油画的习惯，从而增强了作品质量的动态性。几乎有一种韵律存在的线条，不受框架或边缘的束缚。
杰克逊·波洛克作为抽象表现主义的先驱而闻名于世，这个术语在1929年被用来描述那些本质上是非写实和非具象的绘画(巴特勒82)。这是无意识对创造力的影响，通过绘画的质量表现出来。白光很有可能是艺术家表达希望、沮丧、兴奋和乐观的一种方式。这幅作品包含了白色地平线上来自黑色的白光的效果。黑色包括一小部分，被白色和其他明亮的颜色强调。这幅画色彩丰富的情绪表达了乐观和兴奋。波洛克的标志性风格是水花四溅。
波洛克是一位著名的画家，他用一根棍子在画布上泼洒颜料，创造出线条和色彩的漩涡。他的酒瘾和英年早逝的传说使他的技艺得以传承和巩固。他在20世纪40年代后期创作的滴画方法是对20世纪一幅原始作品的再现(《波洛克:100幅著名绘画分析与传记》)。
Contrary to other classical artists, Pollock used enamel, house painter’s paint and aluminum. Even the painting was done with floor brush, knives and wood stick rather than an easel and brush. The unique choice of tools helped to accentuate the texture of the painting to express a feeling that was different. Pollock mixed grass, wood and sand in the paint to extend a raw relief texture.
The painting includes white streaks cut and score across a unique blend of different colors that are visible in the background.Hence, the effect mimicked the movement of white light. Though it has been described as a painting, it is a common believe among art critics that it is more of a sculpture due to the way it has been painted (Buchanan 11). The painter used aluminum paint, tubes of different oil paint and enamel to squeeze the same directly onto the canvas. The use of the tubes gave a sculpting effect as the paint stiffened in shapes.
White Light has eliminated possible references to objects that are recognizable. The lines are of various texture swirls and widths with an underlying chromatic association of yellow blending with orange which is crisscrossed by black and white (Gervais 77). The white is predominant thus intensifying the fact that light is present all through. Pollock had a habit of trimming the complete canvases thus enhancing the dynamic nature of their quality.There is almost a rhythmic existence of the lines that are unbound by either frame or edge.
Jackson Pollock was renowned as a pioneer of Abstract Expressionism, a term used in 1929 for addressing paintings that are non-representational and non-figurative in nature (Butler 82). It is an effect of unconsciousness on the creativity where the expression is through the qualities of the paint. There is a wide possibility that White Light is a way of expression of the artist’s hope, frustration, excitement and optimism. The piece includes the effect of white light coming from the black on the white horizon. Black includes a small portion which is accentuated by the white and other bright colors. The colorful mood of the painting expresses optimism as well as excitement. The signature style of Pollock which is splash and drip is clearly identified in the painting.
Pollock was renowned as the painter who threw paint across the canvas with a stick, hurled and poured it for creating the roiling vortexes of line and color. His skill has been endured and cemented by the legend of his alcoholic habits and early death. The drip painting method that he produced in the late period of 1940s is a representation of an original body of work of the said century (“Jackson Pollock: 100 Famous Paintings Analysis And Biography”).
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