美国论文代写:日本电影工业

10 10月 美国论文代写:日本电影工业

美国论文代写:日本电影工业

日本电影人长期以来的主要保护商品是日本的武士,不仅在日本国内市场销售,而且在日本以外销售。“Jidaigeki”是日本电影行业的一种真正的标志性风格,但它在文化上仍然是一个问题。由于它的文化特性,它并不是好莱坞以外的一种类型。在国外市场上,它被用来作为日本真实性的象征。通过一个整体的表现来传达日本文化,过去的时间距离被用来与工业化进行接触(Huat,2004)。在电影领域中,封建武士电影的内涵美学特征具有可追溯的文化特性。因此,电影制作人通过叙事和传统的Jidaigeki的传统,必须颠覆传统,或者制作具有广泛吸引力的电影。
日本电影工业在他们的展示中使用了先进的技术来反映日本文化和民族特性。在日本电影的跨国历史中,日本电影中的美形象已经入籍。日本特色的重要角色,有助于形成以连贯文化为基础的日本新传统,与欧美电影不同。日本电影院使用照明技术是日本的现代性结构冲突的结果,其中包括日本电影院的资本主义转型,日本的文化和国家身份,因为主观性在个人身上有所增加。为了在日本有效地制作电影,电影采光的元素必须得到充分的研究,甚至需要电影摄影师和灯光设计师的基本合作。

美国论文代写:日本电影工业

The main preserving commodity since long of the Japanese filmmakers is the samurai which is not only sold in domestic market of Japan but also out of Japan. ‘Jidaigeki’ is an authentic signature genre in Japanese movie industry but still it is culturally decentred. It is not a genre beyond Hollywood due to its cultural specificity (Lee, 2002). It is used as a symbol of Japanese authenticity through wider commoditization in foreign markets. For communicating the Japanese culture through a monolithic representation the temporal distance of past is used which has its encounters with industrialization (Huat, 2004). The connotative aesthetic identities of films of feudal samurai in cinematic domain have traceable cultural specificity in it. Thus the filmmakers through narrative and formal conventions of Jidaigeki have to subvert the conventions or should produce the films with wide appeal.
The film industry of Japan is using advanced technology in their presentations that reflects the Japanese culture and national identity. Representation of beauty in Japanese cinema had become naturalized within the transnational history of cinema in Japan. The significant roles in Japanese distinguished styles helps in formulation of new Japanese tradition based on coherent culture which is different from the films produced in America and Europe. The use of lighting technology in Japanese cinemas is the result of the conflicts that are structures of modernity in Japan that includes capitalist transitions in the Japanese cinemas through the articulated Japanese culture and national identity, due to which subjectivity has been increased in individuals. For effective production of films in Japan, the element of film lighting must be well understudied and it even needs essential collaboration of cinematographers and lighting designers.