代写价格-舒伯特奏鸣曲D959

26 12月 代写价格-舒伯特奏鸣曲D959

本文讲的是舒伯特奏鸣曲D959,在整首奏鸣曲的所有乐章中,最后一曲从贝多芬的作品中借用了最多的音乐和结构思想。从大量的音乐材料中可以发现,他们都有可能采用“回旋曲:快板-转瞬”。查尔斯·罗森认为他已经超越了贝多芬,尤其是在精心设计的结尾。根据查尔斯·罗森的观察,典型的奏鸣曲的特点是有明确定义的独立时期。传统的巴洛克曲式在奏鸣曲中有很高的依赖性,需要摒弃。这是为了逃离恐怖的真空。本篇代写价格文章由美国论文人EducationRen教育网整理,供大家参考阅读。

The finale, among all movements of the whole sonata, borrowed the most musical and structural ideas from the works of Beethoven. It could be found out from a lot of music material that both of them are likely to adopt “Rondo: Allegretto – Presto”. Charles Rosen thought him has surpassed Beethoven, especially in the elaborated coda. According to the observations made by Charles Rosen typical Sonata forms are characterized by clearly defined independent periods. There is high dependence on the traditional baroque forms that needs to be discarded in the sonata forms. This is to essentially escape from the horror vacui.

The main theme breaks off in silence and then harmonized in unexpected keys. It was interrupted later by repeating the theme. Several virtuosic bars in the finale remind audiences of the opening movement, generating cyclical unity for the sonata.
As to the belief that some works of Schubert are unnecessarily long, D959 is one of the examples. Playing the whole D959 with all repeats, it will last for more than 35 minutes and may be too long to some ears. Many pianists chose to play the sonatas without some repeats. For example, Kempff plays the first movement of D959 without repeat at all. ‘It seems that some repeat signs were inserted by Schubert as a matter of convention and it is possible that in certain cases he may not have objected to their omission.’
To summarize the works of Schubert, it has been found that he was heavily influenced by the works of Beethoven. This was seen evident in the early works by the composer. However in the later times there has been a definitive transition from the early times to the newer times. He was able to grasp the ideologies of Beethoven and make compositions in part to that of Beethoven. This has been efficiently showcased in the three sonatas in D959. These compositions show that Andantino underlying theme that has been characterized by a melancholic middle part that starts and finishes with the fast tempo. The narrative theme elucidated by the composer has been effectively seen in all of the works of the author.

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